At just 33 years old, Gatwa has already made a significant impact in the entertainment industry, having graduated with a Bachelor of Arts in Acting from the Royal Conservatoire of Scotland in 2013. His career began at the Dundee Rep theatre, where he honed his craft before rising to fame.

Gatwa’s role in Doctor Who has garnered him widespread acclaim, and he starred in the series for two seasons before announcing his departure. Reflecting on his experience, Gatwa stated, “I was tired and burnt out at the end of [season 2]. It was exhausting. But it was a magical time, magical.” He expressed a deep affection for the show, saying, “I had to wrestle with myself – I fell in love with that show. I’ll miss it, but I was ready to move on.”

In addition to this upcoming honor, Gatwa was previously awarded an honorary doctorate from the Royal Conservatoire of Scotland, highlighting his contributions to the arts even before his iconic role in Doctor Who.

The honorary degrees at the University of Glasgow will be awarded during both summer and winter graduation ceremonies, with the first set to be conferred on the significant date of June 17, 2026. Prof Andy Schofield remarked, “Honorary degrees give us the opportunity to recognise individuals whose achievements have had a profound and positive impact within their professions and wider society.”

As Gatwa continues to evolve in his career, observers are eager to see what new projects he will undertake following his time on Doctor Who. Details remain unconfirmed regarding his future roles, but his trajectory suggests a bright future ahead.

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Niblett, who was elected as a Labour MP for South Derbyshire in 2024, believes that education is the “biggest tool” in addressing the stigma surrounding sex. Her campaign’s tagline, ‘Yes Sex Please, We’re British!’, encapsulates her vision of fostering a culture where sexual topics are discussed openly.

To further her cause, Niblett plans to secure a debate in Parliament on lifelong sex education in early autumn 2026. She has already met with organizations like Love Honey to discuss the health benefits of masturbation, emphasizing that education should encompass not just the biological aspects of sex but also the emotional and pleasurable dimensions.

In a bold move, Niblett intends to bring sex toys into Parliament to stimulate conversation about sexual pleasure, challenging the notion that such discussions are taboo. Reflecting on her own experiences, she described her school sex education as “pretty medical” and lacking in discussions about pleasure.

Niblett’s campaign is also informed by her engagement with content from MakeLoveNotPorn, which showcases “real people having messy, funny, intimate, sensual sex”. This perspective underscores her belief that education should reflect the realities of human sexuality.

While the Labour government is moving forward with a ban on certain types of online pornography, Niblett argues that it is equally crucial to educate the public on what is beautiful and normal about real sex and love. “We just need to acknowledge that humans have a natural interest in sex,” she stated, emphasizing the need for comprehensive education.

As Niblett prepares for her campaign, she hopes to gather insights from various organizations and experts. “What I am hoping is that by the time we get to summer recess, I have got a whole bank of organisations to visit and speak with and gather information,” she said.

Details remain unconfirmed regarding the specific outcomes of her campaign, but Niblett’s commitment to fostering a more open dialogue about sex in the UK is clear. As the summer of sex approaches, the potential for change in how sex education is perceived and implemented in schools and communities remains a topic of keen interest.

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Amy Gledhill, a prominent figure in the UK comedy scene, has recently stepped into the spotlight as a contestant on the second season of Last One Laughing, which premiered on March 19, 2026. This show, featuring ten comedians including notable names like David Mitchell and Romesh Ranganathan, has garnered attention for its unique format and humor. Prior to this, Gledhill was already recognized for her outstanding contributions to comedy, having won the prestigious 2024 Edinburgh Comedy Award for her show Make Me Look Fit On The Poster.

Before Gledhill’s participation in Last One Laughing, expectations were high for the show’s second season, particularly following the success of its inaugural run in 2025. The UK version of the show, adapted from the original Japanese format titled Documental, had set a precedent for comedic excellence. Critics had praised the show, with The Guardian stating, “This series leaves me helpless with laughter at least once an episode,” and Metro calling it “one of the best shows on TV right now.” Gledhill’s entry into this competitive environment raised questions about how she would navigate the challenges of the show while also dealing with personal grief.

The decisive moment for Gledhill came shortly before the premiere of the new season when she faced the profound loss of her father. This personal tragedy added a layer of complexity to her participation in the show. Gledhill fondly recalled her father’s enthusiastic responses to her early performances, describing him as a “legendary” figure in her life. This emotional backdrop has not only influenced her performance but also resonated with audiences who appreciate the vulnerability and authenticity she brings to her comedy.

As Gledhill engages with her fellow contestants and the audience, her role in Last One Laughing is becoming increasingly significant. The show challenges comedians to maintain a straight face while others attempt to make them laugh, creating a unique dynamic that tests their comedic skills under pressure. Gledhill’s experience as part of The Delightful Sausage, a comedic partnership with Chris Cantrill, has equipped her with the tools to thrive in this environment. Her ability to blend humor with heartfelt moments is evident, making her a standout contestant.

The impact of Gledhill’s participation extends beyond the show itself. As a patron for Hull and East Yorkshire Mind, she advocates for mental health awareness, a cause that has gained heightened visibility in recent years. Her dual role as a comedian and mental health advocate positions her uniquely within the entertainment industry, allowing her to use her platform to address important issues while entertaining audiences. This intersection of comedy and advocacy is particularly relevant in today’s societal context, where mental health discussions are increasingly prioritized.

Experts in the field of comedy and mental health have noted the importance of representation in media. Gledhill’s presence on Last One Laughing not only showcases her talent but also highlights the significance of addressing personal struggles through humor. As she navigates the challenges of the competition, her journey serves as a reminder of the healing power of laughter and the importance of mental health advocacy.

As the season progresses, Gledhill’s performance will undoubtedly continue to evolve, drawing on her experiences and the support of her audience. The blend of humor and personal narrative she brings to the show is likely to resonate with viewers, making her a memorable contestant in the landscape of British comedy. With the ongoing support from fans and her commitment to mental health awareness, Gledhill is poised to make a lasting impact both on and off the screen.

Details remain unconfirmed regarding the full extent of Gledhill’s journey in the competition, but her current trajectory suggests a promising future in the comedy scene. As she continues to balance her role as a comedian and advocate, audiences can look forward to witnessing her growth and contributions in the entertainment industry.

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