The US embargo on Cuba has been in place since the early 1960s, affecting various sectors including cinema. Despite these challenges, Cuban cinema has become less politicised in recent years, allowing for a more vibrant cultural expression.

One significant event that underscores this resilience is the Screen Cuba film festival, now in its third year. This festival aims to draw attention to the rich film culture of Cuba and showcases the creativity of its filmmakers.

Tania Delgado, a prominent figure in the Cuban film industry, expressed the sentiment of many when she stated, “We are a very resilient people and if anything, we are looking for solutions, and we are looking for maintaining the creation … [of] cultural life in Cuba … and what we cannot lose right now is the hope.” This reflects a broader commitment to preserving and promoting Cuban culture despite external pressures.

The festival not only highlights the artistic achievements of Cuban filmmakers but also serves as a platform for dialogue about the ongoing impacts of the US embargo, which has been condemned by the UN for 33 years.

In addition to the film festival, other sectors in Cuba are also adapting and finding ways to thrive. For instance, the Todlaw Support Service, which provides care to 15 individuals with varying support needs, was recently rated ‘Very Good’ in four categories by inspectors. Pat Lamb, a representative from Todlaw, remarked, “This fantastic Care Inspectorate outcome is a real testament to the passion and dedication of the team at Todlaw.”

As Cuba continues to navigate the complexities of its socio-political landscape, the resilience of its people and culture remains evident. Observers note that initiatives like the Screen Cuba film festival are crucial for maintaining cultural life and fostering hope among the populace.

With the ongoing support from both local and international communities, Cuban cinema is poised to continue its evolution, showcasing stories that resonate both within and beyond its borders.

As the festival progresses, many are eager to see how these narratives will unfold and what new voices will emerge in the Cuban cinematic landscape.

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The Girl Who Cried Pearls, a 17-minute stop-motion animated short film, has made a significant mark in the film industry by winning the Oscar for Best Animated Short Film at the 98th Academy Awards held at the Dolby Theatre in Hollywood on March 15, 2026. This achievement highlights the creative talents of filmmakers Chris Lavis and Maciek Szczerbowski, who have been collaborating with the National Film Board of Canada (NFB) for over 20 years.

The film, which debuted at the Annecy International Animation Film Festival in June 2025, tells a poignant story about a girl whose tears turn into pearls, exploring deep themes of love and greed. It has resonated with audiences, screening at more than 45 festivals and earning 14 awards and mentions throughout its journey.

In a statement following their win, Lavis and Szczerbowski expressed gratitude, saying, “This award is a tribute to all the artists who shared this labour with us.” Their collaboration has been marked by dedication, with Lavis noting the patience required to work on a puppet film that took five years to complete. “It actually takes patience to live with someone who takes five years to make a puppet film,” he remarked, highlighting the meticulous nature of their craft.

Maciek Szczerbowski also took a moment to thank the city of Montreal and Canada, stating, “Thank you, the fantastic city of Montreal. Thank you, Canada.” This recognition not only celebrates their individual talents but also shines a light on the broader Canadian animation industry, which has been a nurturing ground for innovative storytelling.

The NFB, which produced The Girl Who Cried Pearls, has a rich history in animation and has won a total of 12 Oscars over the years. This latest win adds to its legacy and underscores the importance of supporting artistic endeavors in Canada. The film features voice work by acclaimed actor Colm Feore and music by Patrick Watson, further enhancing its emotional depth and appeal.

As the film continues to be available for free on NFB.ca, YouTube, and all NFB apps in Canada, it is expected to reach an even wider audience. Observers anticipate that the success of The Girl Who Cried Pearls will inspire more filmmakers to explore unique narratives and innovative animation techniques.

With this Oscar win, Lavis and Szczerbowski have achieved a significant milestone in their careers, having previously been nominated for their 2007 short film, Madame Tutli-Putli. Their journey reflects the evolving landscape of animation and the potential for storytelling that resonates across cultures and generations.

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